Dr Khanya Mthethwa grew up in KwaZulu-Natal with a love for creating, dreaming of a life shaped by art, design, and storytelling. Today, she channels that passion as both a practicing artist and a lecturer in jewellery design, guiding students to turn ideas into innovative, practice-led creations. She holds a PhD in Art History, a Master’s in Design, and a degree in Jewellery Design and Manufacture from the University of Johannesburg. She has trained in Rough Diamond Evaluation and Diamond Cutting at the Harry Oppenheimer Diamond Training School. Her days are a combination of teaching, mentoring, and shaping curricula. At the same time, her own work interrogates colonial legacies, reimagines cultural narratives, and celebrates ubuntu—the interconnectedness of humanity—through contemporary jewellery and multidisciplinary art. As one of the first Black South African women in her field to earn a PhD, Mthethwa has forged a path of personal achievement and mentorship, bringing a unique perspective to her work. Her work has captivated audiences from Athens to Milan, earning accolades including the 2023 Susan Beech Mid-Career Award and the PPC Imaginarium Jewellery Award. For Mthethwa, creativity is more than self-expression; it is a tool for connection, storytelling, and transformative impact. Her guiding principle is simple yet powerful: stay true to your vision and learn from every experience. Through her art and mentorship, Khanya continues to redefine South African jewellery and design, leaving a legacy that resonates far beyond the studio.
QUALIFICATIONS
- PhD in Art History, University of Johannesburg
- Master’s in Design, University of Johannesburg
- Bachelor’s degree in Jewellery Design and Manufacture, University of Johannesburg
- Rough Diamond Evaluation and Diamond Cutting, Harry Oppenheimer Diamond Training School
ACHIEVEMENTS
Awards
2023: Susan Beech Mid-Career Award
2019: PPC Imaginarium Jewellery Winner Award
Exhibitions and Projects
I am deeply honoured to have showcased my work globally, using creativity as a vehicle to share and celebrate indigenous knowledge. Some highlights include:
2025: Abantu: Threads That Bind Us, UJ FADA Gallery, Johannesburg
2025: Gates of Transition, Ilias Lalaounis Jewelry Museum, Athens, Greece
2025: Umsizi Nopende, Springs Art Gallery, Johannesburg
2025: Designing the Past, Wearing the Future, Nirox Sculpture Park – Cool Room, Johannesburg
2024: Jewellery All Along the Line, Galerie Handwerk, Munich
2023: Civilization Rebooted, SMCK on Reel (video narrative performance), screened in Athens, Romania, and Chișinău
2022: Windows, A-Galerii, Estonia
2022: Artistar Jewels, Milano Jewelry Week, Milan, Italy
2021: Interventions in Practice, UJ FADA Gallery, Johannesburg
2019: A South African Perspective (A.S.A.P) to 4IR Exhibition, MmArtHouse Gallery, Johannesburg
2019/2018: PPC Imaginarium Awards, UJ Art Gallery, Johannesburg
2014: Introducing Student Jewellery, CDA Gallery, Zagreb, Croatia
These experiences represent more than professional recognition — they reflect my ongoing commitment to bridging creativity, culture, and scholarship, and to contributing to global conversations through a uniquely South African lens.